The revered series Doctor Who has faced harsh criticism in its last season: it was too PC; the actors failed to match the previous cast and even the stories lacked the thrilling qualities that Whovians have come to expect from their favourite TV show. Like all previous cast choices, the announcement of Jodie Whittaker taking the reins as the 13th Doctor was met with harsh opposition. Unlike the previous actors portraying the Doctor though, the disapproval did not abate, but seemed to alienate a significant number of fans. Now that Jodie’s first series is over, a closer look can be taken into the her portrayal of the Doctor.
17 October 2016 | Richard Elliott
In ‘The Yada Yada’ episode of Seinfeld, dentist Tim Whatley announces to Jerry and George that he has become a Jew, and immediately begins to crack jokes based around his new-found identity. When Jerry goes to a Catholic confessional to express his suspicion that Whatley has “converted to Judaism purely for the jokes,” the priest asks him “And this offends you as a Jewish person?” to which Jerry replies “No, it offends me as a comedian.”
September 6, 2016 | Amadeus Chen
What particular propensities in Blake’s poetry and art inspire fictional murders of the most gruesome kind? Or inspire the author to deem Blake a suitable spokesman for serial killers’ psyche? We can first take a look at Blake’s The Great Red Dragon and the Woman Clothed in Sun, the painting Dolarhyde is so obsessed with that he has a full-scale tattoo of its image on his body.
May 30, 2016 | Vicki Madden
In 1798, Charles Brockden Brown published the first novel written by a professional American author: Wieland: or, The Transformation. Brown’s tale of a patriarch compelled to murder his family under the influence of religious voices was quintessentially gothic. More importantly, however, it was based on a true story. Inspired by the case of James Yates, a New York farmer who murdered his wife and four children after purportedly hearing the voice of God, Brown’s novel attained cult status among nineteenth-century readers, underscoring the American public’s appetite for murder narratives drawn from real life horrors.