Dylan Taylor | 6 February 2017
In 1835, Alexis de Tocqueville observed that Americans have “a lively faith in the perfectibility of man…They all consider society as a body in a state of improvement”. Such descriptions help explain our common stereotype as pragmatic idealists with a penchant for exaggerated emotions and an uncomfortable awkwardness in the face of negative, or even ambivalent, sentiments. Studies  have implied what many introverts could readily describe: America is a land where being quiet or reflective can induce strange looks or even pity. Being slow-to-judge—a trait so often honored by moral philosophers throughout history—is, to that subset of Americans which subscribes to a masculine, red-blooded vision of our tenets, seen instead as a sign of weakness and naiveté. This diluting of issues into binaries—weak or strong, moral or immoral, right or wrong—is a cultural tendency that has seemed to reach its apotheosis in the theatrical build-up to the new presidency and its traumatic fallout.