Who Owns Bridget Jones? The Contemporary Canonicity Conundrum

14 November 2016 ¦ Juliet Conway.

Recently a child showed me his favourite book; a written version of The Angry Birds Movie, which is already a film based, of course, on the popular App. When asked what he thought of the book, his reply was ‘it was good’, but ‘the birds weren’t the same as the game’. As a literature student I should probably balk at the idea that his favourite literature is the account of a pixelated bird, but instead he got me thinking. In a world where fiction is communicated in so many forms, which one is given precedence when contradictions occur?

Read Article →

Imagined Trauma: Ideology and Motherhood in Paula Hawkins’s The Girl on the Train

17 October 2016 | Chantal Bertalanffy

It was not the crime story which kept me awake until late at night and had me turning page after page; I was under the spell of the women in Paula Hawkins’s The Girl on the Train (2015). I urgently needed to know if Rachel, Meagan and Anna would redeem themselves at the end of the novel, or if Hawkins herself was just as lost as her characters in a narrative which was not her own, this narrative being patriarchy. Without spoiling the ending, Hawkins did not disappoint me.

Read Article →