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Katie Goh | 15 May 2017
Under the Skin (Jonathan Glazer, 2014) opens with a bright white light shining into the audience, which then morphs into an eye over the span of five minutes, accompanied by a crescendo of buzzing violins. The opening is disturbing and abstract, setting the tone for the film’s sonic and visual imagery and for the alien language created by Mica Levi’s soundscape.
Mica Levi’s second film score was for Jackie (2016), Pablo Lerrain’s biopic of America’s most famous widow, first lady Jacqueline Kennedy. The film chronicles Jackie’s response to the aftermath of her husband’s assassination as she simultaneously processes her personal grief and works to mythologize her husband’s legacy. Both Lerrain and Glazer’s films are about alien femininity: whereas Under the Skin centres on a literal alien playing as woman, Jackie follows an alienated woman.
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17 October 2016 | Jonathan Drake
Denis Villeneuve’s upcoming sci-fi movie Arrival has already created a significant buzz amongst critics after first-look screenings on this year’s film festival circuit. There is still almost a month to go before its official release and it has already managed to attain an impressive score of 80/100 on the review aggregator Metacritic. The general consensus seems to be that this is a thoughtful science fiction offering that doesn’t rely too heavily on action; like the best of the genre, it isn’t afraid to tackle some big ideas. These ideas include the cultural, social and political significance of translation and Translation Studies: provoking thoughts on matters ranging from plot-holes in Roland Emmerich’s film Independence Day to cultural imperialism to translation’s role in the political discourse surrounding Brexit.