Empty Words: The Politics of Performing Change

Anahit Behrouz | January 10, 2018
In an article for The Pool published the week before the 2018 Golden Globes ceremony, film critic Helen O’Hara questioned what a Hollywood awards ceremony would look like in a post-Weinstein world. O’Hara argued that although women only get 27% of the lines in the average Oscar-winning film, this year’s Golden Globes nominee list showed a progression towards a more equal awards ceremony, with numerous women and female-focused films up for consideration. As heartening as this may be, O’Hara did not delve into the question of how the mechanics of an awards ceremony in a post-Weinstein world would work, and what the optics would look like in an industry spending millions of dollars in self-congratulation during the same year that its ugly underbelly has been exposed.

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Please Leave the ‘Me’ Out of Your ‘Apology’

Mary A. Pura | November 22, 2017
In a speech given in 2004 at The University of Massachusetts Boston, the late Dr. Andrew Lazare, a leading authority on the psychology of shame, humiliation and apology, had this to say about the nature of apology:

“Apology is more than an acknowledgment of an offense together with an expression of remorse. It is an ongoing commitment by the offending party to change his or her behavior. It is a particular way of resolving conflicts other than by arguing over who is bigger and better.”

Unfortunately there has been a failure in our society to adopt this important formula, especially in the context of sexual harassment.

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See No Evil: The Legitimisation of Violence Against Women in Hollywood

Harry Leonard | 23 January 2017.

{Warning: discussions of domestic and sexual assault}

On 28 May 2016, Amber Heard was granted a temporary restraining order against husband Johnny Depp amidst allegations of domestic assault. Seventeen years earlier, Nate Parker was acquitted of raping a woman when it emerged that, prior to the time in question, he had had consensual sex with his accuser. The ramifications of these charges re-emerged in 2016 for Parker when he was promoting his directorial debut Birth of a Nation. It is not my intention to equate the two cases but to compare them; to question the nature of the systems of privilege that explain Depp’s continued success and Parker’s condemnation.

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