The revered series Doctor Who has faced harsh criticism in its last season: it was too PC; the actors failed to match the previous cast and even the stories lacked the thrilling qualities that Whovians have come to expect from their favourite TV show. Like all previous cast choices, the announcement of Jodie Whittaker taking the reins as the 13th Doctor was met with harsh opposition. Unlike the previous actors portraying the Doctor though, the disapproval did not abate, but seemed to alienate a significant number of fans. Now that Jodie’s first series is over, a closer look can be taken into the her portrayal of the Doctor.
Charlotte Kessler | 26 June 2017.
Chimamanda Ngozi Adichie is one of the best known contemporary feminists; she is a Nigerian writer of novels, short stories and feminist theory. In 2014, she published her essay We Should All Be Feminists after giving a Tedx talk on her approach to feminism and followed it up with her feminist manifesto Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions in March 2017. Written as a letter to a friend, and recommending how to raise her newborn girl, Dear Ijeawele makes powerful statements about feminism today. Issues addressed in Dear Ijeawele resemble those raised in Simone de Beauvoir’s feminist classic The Second Sex, published in 1948. I will examine how Adichie has furthered de Beauvoir’s feminist thought and made it more inclusive and therefore better suited to contemporary feminism. Adichie echoes, whether consciously or unconsciously, arguments made by de Beauvoir in The Second Sex about childhood, the mother and marriage.
Gina Maya | 3 April 2017.
Bears do it in the woods, they say, but Westerners do it as God ordained it, in a room labelled male or female. Never mind that gender-segregated toilets appeared not in Biblical times but the Victorian age; the issue of public toilets is becoming one of the touchstones of our post-Brexit, post-Trump age, regarding who goes where, and whether or not trans- or non-binary-identifying people count as legitimate.
31 October 2016 ¦ Paulina Drėgvaitė
In A Room of One’s Own, first published in 1929, Virginia Woolf wrote about the importance of space – both physical and metaphysical – to the undertaking of writing. This lack of space often prompts female writers to use a nom de plume or opt for anonymity in order to avoid scrutiny, or, in the past, to be published at all. The reasons for this are numerous. In many cases, the reception of literary work produced by women is locked within the framework of their gender and assuming a male persona allows it to transgress that boundary: think Mary Ann Evans choosing the comfort of naming herself George Eliot, think Amantine-Lucile-Aurore Dupin opting for George Sand and the Brontë sisters publishing under masculine pseudonyms.
31 October ¦ Harriet MacMillan
Whilst many may not recognise her name, women living in Britain today owe Caroline Norton (1808-77) a great debt. Her zealous pursuit of reform led to landmark changes in the recognition of women in the law. Her campaigning directly propelled the passing of the Custody of Infants Act of 1839, which gave women the right to custody of their children. She also influenced the Married Women’s Property Act of 1870, which gave women the legal right to their own money. Although Norton certainly influenced the past, does her life still have resonance with contemporary feminist struggles? Can looking back on her story help us understand some of the challenges facing women, particularly famous women, today?