Felicitous

Niki Holzapfel | 6 March 2017

“I wrote stories from the time I was a little girl, but I didn’t want to be a writer. I wanted to be an actress. I didn’t realize then that it’s the same impulse. It’s make-believe. It’s performance. The only difference being that a writer can do it all alone” -Joan Didion, The Paris Review, 1978

I was once in a class with someone who referred to Joan Didion lovingly as “Joan” and spoke of her with the utmost reverence. Rightfully so; the quote above—to me, at least—is brilliant. Writing creatively gives me narratives other than my own to consider. Not a unique conclusion, I realize, but one that makes the act of writing so attractive, so much more than a hobby to mock, so freeing.

The following piece was written when a number of narratives competed in my mind—when make-believe made the most sense.

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Cultural Appropriation: From Seinfeld to Shriver

17 October 2016 | Richard Elliott

In ‘The Yada Yada’ episode of Seinfeld, dentist Tim Whatley announces to Jerry and George that he has become a Jew, and immediately begins to crack jokes based around his new-found identity. When Jerry goes to a Catholic confessional to express his suspicion that Whatley has “converted to Judaism purely for the jokes,” the priest asks him “And this offends you as a Jewish person?” to which Jerry replies “No, it offends me as a comedian.”

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