Revisiting the ‘Angel of Assassination’

March 7, 2016 | Harriet MacMillan.

I wrote the above poem in 2012, but it had been in gestation for some time. I first encountered David’s painting The Death of Marat (1793) in 2006; I clearly recall finding the artwork, detailing the French revolutionary’s death in his bath tub at the hands of Charlotte Corday, at once stark and yet curiously sterile. I still retain a fascination with Marat and his murderer Charlotte Corday, described posthumously as ‘l’Ange de l’Assassinat’. I am not alone in my fascination; Corday’s brutal killing of Marat has inspired many artists and writers. But what do artistic acts of rewriting history teach us? Can they ever truly represent those figures who have inspired or horrified us?

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Refuge and Asylum: A Gardener’s Guide

February 15, 2016 | Sarah Stewart.

Gardens are a cultural staple the world over. You would be hard put to find a major world religion in which gardens do not feature; the sheer multitude of garden-related metaphors you hear everyday are testament to our language’s continuing reliance on concepts born in gardens, not to mention the prevalence of the garden in literary and artistic traditions. For millennia, gardens have been reflections of divine order on earth; spaces to display status, but, fundamentally, they are places where people negotiate with the land, and other people, in order to thrive. Given their global relevance, what potential do gardens and gardening have to bridge barriers between cultures and people of vast differences in background and experience? Between, say, established British citizens and asylum seekers and refugees?

[tw: discussions of torture]

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Charles Bukowski: More than misogyny?

February 15, 2016 | Matthew Tibble.

“The male, for all his bravado and exploration, is the loyal one, the one who generally feels love. The female is skilled at betrayal and torture and damnation”

(Bukowski, “Letter to Steven Richmond”)

Bukowski’s academic respectability lies well below that of Frederick Exley, Hunter S. Thompson and John Fante. He was a self-proclaimed womaniser and an alcoholic whose writings ruptured the vanguard of American literature under his “Dirty Old Man” persona in the late sixties and he continued to garner attention with fictionalised memoirs right up until his death in 1994.

[tw discussions of abuse and violence]

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Where You Read: What Does It Say About You?

December 16, 2015 | Louise Adams.

Reading spaces have been important in British culture since literacy itself took hold. Places such as libraries, bedrooms and railway carriages have been fiercely debated for their suitability as locations for reading. And frequently these views are not so much concerned with the places themselves, but with what they say about the kinds of readers using them.

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In Defence of the Dark Arts: Academic Resistance to the Fantastic

November 10, 2015 | Anahit Behrooz.

“I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living.”– Dr Seuss.

Read any review of the Western canon and the absence of one particular genre becomes immediately obvious. Despite being one of the most dynamic and commercially successful genres in literature, fantasy is rarely taken seriously in the academic world. Iconic works such as C. S. Lewis’ Narnia series, J.R.R. Tolkien’s The Lord of the Rings, or J.K. Rowling’s Harry Potter novels are frequently swept aside in favour of ‘serious’ works which are considered more suitable for literary, artistic and socio-political analysis. Why, however, does this tension between fantastic and ‘high-brow’ literature even exist?

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