A Few Reasons Why Not

Maria Elena Torres-Quevedo | 1 May 2017

[tw: discussions of suicide and rape]

Netflix’ recent series, 13 Reasons Why, has been subject to a wide chasm in reception. The story follows a teenage boy, Clay, as he listens to the tapes left by his friend and love interest Hannah, detailing the 13 reasons why she committed suicide. The show depicts Hannah’s fights with friends, her parents’ financial troubles, her experiences of bullying, misogyny, and rape by fellow students, and, very graphically, her suicide. Given this wide chasm, what are some of the main critiques of the show and what problems does it engender?

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A Host of Questions: Artificial Agency in Westworld

Maria Torres-Quevedo | 20th February 2016.

Trigger Warning: Rape, Violence.

Westworld (2016) depicts a sci-fi not-too-distant future in which humans have mastered the art of artificial intelligence, and have used this to create a Western-style theme park in which real humans (almost exclusively white men) from the real world can live out their fantasies consequence-free with “non-human” robots.

The park ostensibly serves to allow its human patrons to “find themselves,” revealing their real desires in an environment designed to cater specifically to them. More interesting to me, however, is the self-discovery exemplified by the two female robots (hosts) around which much of the narrative centres.

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Social Media Strikes Back

Maria Elena Torres-Quevedo | 17 October 2016

Social media empowers individuals who usually lack epistemic power, and hence suffer systemic testimonial injustice (people who are rarely listened to or considered credible by society at large: women, people of colour, trans people, etc.), to testify in meaningful ways. By posting on the internet, they can complicate and undermine state sanctioned narratives in a way that mainstream media cannot.

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