Hollywood: Shell without Ghost

Erden Göktepe | 18th April 2017.

I must be honest, I had high hopes for the 2017 remake of Ghost in the Shell directed by Rupert Sanders and starring Scarlett Johansson as Major, the female protagonist, perhaps even for seeing something as intriguing as the original manga story and anime. Sadly, at the end of it, I simply felt indifferent and bored. Apparently, Hollywood has taken another well-written story with a phenomenal potential for audience impact and turned it into a breezy action movie….

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From ‘A New Hope’ to ‘Rogue One’: A Successful Star Wars Adaptation to Current Political Climates

Erden Göktepe | 9th January 2017.

(Warning: Spoilers Ahead!)

The original Star Wars is a romantic and epic space opera with stunning visual effects, but at the end of the day, it is still an essentially political saga. It is a heroic mainstream statement of the fight against corruption, totalitarianism and injustice. When I first watched A New Hope in the 1980s, though, it was not the political aspect which swept me away from the Aegean small-city life I used to live. Star Wars invited me to travel to different worlds full of creatures in all shapes and sizes. To me, it was a truly romantic story with marvellous music that spoke to my emotions, while politics operated in the background.

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Under the Shadow: Never-Ending Nightmares of Bogeymen

14 November 2016 | Erden Göktepe.

Watching a powerful horror film like Under the Shadow is weirdly timely considering the alarming result of the 2016 US Elections. I do not know about you, but I am confronted every single day with nauseating media images of an unrelenting system filled with inconsistent and fallacious political promises. Maybe it’s due to my Middle Eastern background, but the potentially devastating repercussions of the US elections are haunting me like my childhood nightmares. I dream of faceless ghosts coming down from the cracks in the walls just like the ones used by Babak Anvari, the British director of Iranian descent responsible for Under the Shadow. This film is the first to depict the Iran-Iraq War in a horror genre, and it’s Anvari’s first feature-length movie.

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