International students have a lot of hoops to jump through. In keeping with its sponsorship requirements, the university has been monitoring my attendance to all my classes very strictly ever since I was an undergraduate. I am required to attend a census of students on a Tier 4 visa every couple of months. I have had to pay £700 upfront as a mandatory NHS surcharge as part of my visa application. Moreover, landlords in England are required to check the immigration status of their tenants prior to letting to them. This hasn’t yet been rolled out to Scotland officially yet, but that doesn’t stop letting agencies from asking me to give proof of my immigration status, arbitrarily charging me twice the stipulated deposit on a flat, or simply choosing to let to a British citizen instead to avoid any hassle. Starting January 2018, banks will start monitoring accounts and freezing those held by people whom the Home Office identifies as overstayers. All of this is in line with the Home Office’s policy to create a ‘hostile environment’ for immigrants in order to curb irregular migration.
June L. Laurenson | October 23, 2017
We live in a world that is constantly online, where speed, brevity, and accessibility enhance productivity and provide instant gratification. Multi-tasking is a prized asset. Things become condensed, abbreviated, or omitted, but is less necessarily more, especially in the Arts?
Maria Elena Torres-Quevedo | 21st August 2017.
When I got to writing this article this week, I quickly realised I couldn’t write something that didn’t address the recent events in Charlottesville. However, I was also keenly aware that it was not necessarily my place nor within my capabilities to provide a response, beyond an expression of the horror, devastation, disappointment, and determination that so many have been expressing in the past few days. I know I am not alone in feeling helpless in the face of these events, and I know that many of us have been looking for ways to support the counter-protestors of Charlottesville, both in the work they have already done to fight white supremacists and neo-nazis, and in the work that they will doubtless continue to do in the future. I also know that many of us would like all the guidance we can get in helping us to understand what has been happening and how best to move forward. With this in mind, I have decided to use my platform this week for two purposes: providing links to organisations doing invaluable work that would greatly benefit from our financial support; and providing links to excellent, spark-inciting pieces written by those most affected by the rise of these racist movements and those who have been fighting this fight for a long time.
Robyn Pritzker | 7 August 2017.
As a humanities researcher (and as a human), I am often reminded about the importance of caring: empathy, sympathy, and general sensitivity to my environment are some of the important values that supposedly distinguish the humanist from their scientific or otherwise quantitative counterparts. As humanists, we study culture, literature, language, and other facets of the world expected to inspire feeling or indicate meaning (freedom, beauty, truth, and love, even)! Working on a long-term independent project like a thesis, we are absorbed by our research, or we absorb it, depending on the day.
Maria Elena Torres-Quevedo | 7 July 2017.
The post-truth era, defined by the Oxford English Dictionary as a culture in which “objective facts are less influential in shaping public opinion than appeals to emotion and personal belief” (OED), has been marked by a right-wing appropriation of poststructuralist discourse.
Dylan Taylor | 25 July 2017.
The dawning supremacy of M.F.A. writing is well observed and disparaged by many. Arguably, this ‘homogenized, over-workshopped writing’ has become increasingly content to follow prevailing literary models, making much contemporary English literature unambitious and conservative. Rather than push boundaries, many modern writers seem content to contribute their own version of a story that has been told a thousand times before: a story typically of love, of coming-of-age, of examining identity, in middle-class London or New York. Overwhelmingly, the stylistic cornerstone of such a story is prose that is polished and clear: all unjustified adjectives must go.
Scheherazade Khan | 10th July 2017.
The humanities in higher education are often looked down upon as a wasted pursuit. In the presence of doctors, engineers, scientists, policy makers and accountants, the humanities can be considered rather pointless. Most students in the arts are well accustomed to jokes regarding poor employment opportunities in our fields. Though these comments may hint at the difficult reality of job searching for those in the arts, generally humanities students have learnt to laugh along. We understand and have accepted that we did not choose this field for its financial potential but for a passion we felt determined to follow and explore.
Maria Elena Torres-Quevedo | 10th July 2017.
Twenty-three years after the publication of American author Elizabeth Wurtzel’s memoir entitled Prozac Nation: Young and Depressed in America (1994), public opinion about antidepressants is still as rife with misconceptions, fear, and judgement, as it was when Wurtzel was first prescribed medication to manage her persistent and devastating depression. Writing in what is now a significant traditional of women’s narratives of mental illness— including Sylvia Plath’s The Bell Jar (1963), Susanna Kaysen’s Girl, Interrupted (1999), and Marya Hornbacher’s Madness (2008)— Wurtzel details the brutal development of her depression from early adolescence into adulthood, and notes the rise in illnesses such as hers across the country.
Anne Liebig|10th June 2017.
‘This is a true story.’ Every connoisseur of the Coen brother’s timeless classic Fargo and its equally cult-like series spin-off about small-town megalomania will appreciate the tongue-in-cheek quality of so blatant a lie. The sentence is repeatedly dangled in front of the viewer at the beginning of each episode as a propitious prop for make-believe, calling viewers to rejuvenate their sense for a suspension of disbelief and jump right into this mellifluent maelstrom of snow storms, ice deserts, and funny accents. If it is only popular entertainment, what does it have to do with our current post-truth political climate?
Charlotte Kessler | 26 June 2017.
Chimamanda Ngozi Adichie is one of the best known contemporary feminists; she is a Nigerian writer of novels, short stories and feminist theory. In 2014, she published her essay We Should All Be Feminists after giving a Tedx talk on her approach to feminism and followed it up with her feminist manifesto Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions in March 2017. Written as a letter to a friend, and recommending how to raise her newborn girl, Dear Ijeawele makes powerful statements about feminism today. Issues addressed in Dear Ijeawele resemble those raised in Simone de Beauvoir’s feminist classic The Second Sex, published in 1948. I will examine how Adichie has furthered de Beauvoir’s feminist thought and made it more inclusive and therefore better suited to contemporary feminism. Adichie echoes, whether consciously or unconsciously, arguments made by de Beauvoir in The Second Sex about childhood, the mother and marriage.