Feminism Gone Mad? Keira Knightley, mothering and the case against the Disney princess

Tia Byer | March 25, 2019
A presentation by Tia Byer, “Feminism Gone Mad? Keira Knightley, mothering and the case against the Disney princess”.
Tia won the award for ‘Most Controversial’ at LLC Blethers, an evening of academic storytelling with the University of Edinburgh, February 2019.

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Shakespeare vs. Pushkin – On Not Reading National Poets, or: A Tragedy in Two Acts

Anne Liebig | 4 February, 2019
To be or not to be – who has not heard, used, or abused this phrase, written down over 400 years ago? Who cannot conjure up a spontaneous image of the Bard, or name at least one of his plays? Shakespeare has performed a feat that few other writers have achieved across the globe: he has been elevated to a symbol of national culture. But when did you last stop and ask yourself what the point of having a so-called national poet really was?

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Being an Older Youngest

Katherine Carlman | 14 January, 2019
“I’m very good at math,” the boy said as I passed. He was five or six years old and made this declaration not to me, but to the adult who belonged with him. With his mop of long curls and declaration of brilliance, he had more self-confidence than I’ve ever had. How could a child have more self-assurance than a fifty-year-old woman? He must be an only child, I reasoned – maybe an oldest child, but certainly not the youngest.

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On the Hollywood Trend of Woman-Centered Remakes

Whitney Hubbell | July 3, 2018
Ocean’s 8 has just hit theaters and so far has unsurprisingly received mixed reviews. The film definitely has appeal: it boasts an undeniably great cast – Cate Blanchett, Helena Bonham Carter, Sandra Bullock, Mindy Kaling, Anne Hathaway, even Rihanna – and an intriguing concept, being an all-woman heist film. However, the film’s title and the name of Sandra Bullock’s character (Debbie Ocean) reveals that it’s basically just a rehashing of the earlier Ocean’s films starring George Clooney as Danny Ocean. But Ocean’s 8 is just the latest in a growing trend of Hollywood remakes in which the formerly male cast is replaced with women.

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Their Unrelenting Eyes: I Feel Pretty and the Entrapment of Narcissism

Nadia Ahmed | June 4, 2018
Addressing the lives of women, particularly white, heterosexual, cisgender, American women, is the film I Feel Pretty, which came out last month. What struck me upon watching this film was that the main character’s sense of self compares so closely to the narcissistic woman described in Simone de Beauvoir’s work The Second Sex (1949).  This article is concerned with drawing parallels between I Feel Pretty and The Second Sex in order to question the transcendence of the protagonist, Renee (played by Amy Schumer), who, bored and unsatisfied with her life, inculcates herself into a state of self-obsession.

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Communicating the Upside Down: Meaning Making and Semiotics in Netflix’s Stranger Things

Anahit Behrooz | November 6, 2017
At its heart, Stranger Things is about tension: the tension between the normal and the weird, the familiar and the unfamiliar, the known and the strange. The normal and the familiar are established through the show’s primary setting – the small, quintessentially American town of Hawkins, where everyone knows everyone, children can play outdoors and, according to the town’s chief of police, Jim Hopper, the worst thing to ever happen was an owl flying at a citizen’s head. This familiarity is reinforced on an extradiegetic level through the numerous intertextual references to numerous works of 80’s sci-fi genre fiction, which provide a network of signifiers that make Stranger Things immediately readable and accessible. At the other extreme, events happen throughout the show to destabilise this familiarity.

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Whither Truth? An Ode to Fargo, or How Russia Stole the Limelight  

Anne Liebig|10th June 2017.

‘This is a true story.’ Every connoisseur of the Coen brother’s timeless classic Fargo and its equally cult-like series spin-off about small-town megalomania will appreciate the tongue-in-cheek quality of so blatant a lie. The sentence is repeatedly dangled in front of the viewer at the beginning of each episode as a propitious prop for make-believe, calling viewers to rejuvenate their sense for a suspension of disbelief and jump right into this mellifluent maelstrom of snow storms, ice deserts, and funny accents. If it is only popular entertainment, what does it have to do with our current post-truth political climate? 

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Rap au féminin: What can France’s female hip hop scene teach us about identity politics?

Ellen Davis-Walker | 25 April 2017

Mathieu Kassovitz’s 1995 box office sensation La Haine has long been credited with propelling French hip hop on to the global stage. Drawing on original material by Ministère AMER, NTM and MC Solaar, the film’s soundtrack managed to capture the sonic traces of social unrest on the fringes of French society. Whilst France’s victory in the 1997 FIFA World Cup seemed to mark a momentary coming- together around the inclusive slogan ‘Black-Blanc-Beur’ (Black, White, Arab), the contentious and fractured question of national identity has continued to dominate the country’s musical and political landscape ever since.

The emergence of rap au féminin (female rap) over the past decade marked a significant step in the development of multi-faceted ‘French’ identity. While anglophone female artists of the early 2000s were predominantly focused on debunking “the sexual and material objectification faced by women in the industry,” this article will ask how rap au féminin has offered artists the possibility to explore both what it meant to be a woman in this period, and what it meant (and still means) to be French.

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A Carnivalesque Turn of Events

Alberto Nanni | 20 February 2017

Politics have always been full of buffoons and this is no news. In America currently, being allegedly rich and charismatically outrageous seem more important than intelligence and integrity for political success. But is this something new? The newly elected president of the United States is not an isolated case. As an Italian expat, I can’t help but think that Trump has at least one renowned precursor: Silvio Berlusconi. And I don’t just limit their similarities to their orange complexion.

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