Sonic Intensified Continuity in ‘Baby Driver’

By Ruochen Zhao | 19 June 2019
In this audio-visual essay, Ruochen analyses the music and sound used in Baby Driver (2017) – in particular, what theorist Amanda McQueen has identified as the concept of ‘Sonic Intensified Continuity’ used by (director) Edgar Wright in films such as Saun of the Dead, Hot Fuzz and Scott Pilgrim vs the world.

Read Article →

On Photography: imprisoning reality, possessing the past

Dexter Yim | 03 June 2019
Human beings are nostalgic animals. We cannot really help looking at photos we took from time to time in order to revisit our past or see how much we have changed over the years. I bet everyone understands this as the ten-year challenge craze sweeps the world. Without photography, we have no choice but to rely on our hazy memories, which are not reliable and verifiable. The art and usefulness of photography unarguably and gradually became indispensable in our daily lives as photography can help us imprison reality and revisit the past at any time. This short article attempts to look into the usefulness and limitations of photography.

Read Article →

How Entertainment Dismantles Reality in Black Mirror

Yan Li | 18 February, 2019
Have you ever pondered over the relationship between how we are entertained and who we are? The TV drama Black Mirroris often regarded as science fiction that aims to reexamine the role of technology in our society. However, I see this episode differently. It is more like an attack on (overly) widespread, immoderate and reckless entertainment than a denunciation of technology. In other words, it is the way human beings present and perceive themselves via entertainment that is being mocked, and technology is the accomplice in this five-act tragedy. 

Read Article →