Sonia Garcia de Alba | April 11, 2018
I have met many adults who confess to reading Young Adult novels for fun. While we may be willing to admit that we use them to disengage from our routines or to while away time, we should question whether such entertainment is the sum of these texts. Some of these books, like the novels of Sarah J. Maas, prompt us to explore and learn about other things, like the fairy tale tradition and Celtic folklore.
Sonia Garcia de Alba | April 11, 2018
Patricia Ng | March 28, 2018
No matter what you say about the Marvel cinematic franchise, they are making some bold moves. Rather than simply making films about popular superheroes, they have now moved on to lesser-known characters, especially those belonging to minority groups. The newly released Black Panther is certainly one of their best examples. Featuring T’Challa (Black Panther), the king of the fictional African nation Wakanda, as the lead, the film can be seen as yet another attempt to diversify the entertainment industry. In recent years, Hollywood has been producing more and more movies with female leads and a culturally diverse cast, like the upcoming female spin-off of Ocean’s Eleven and the multi-ethnic cast in the new Star Wars reboot films. There is nothing wrong with creating films that don’t have white male leads, and we should welcome narratives that promote diversity. Yet, with the rise of such a trend in popular culture, one has to question what it means for a diverse narrative to be good.
Laurie Beckoff | March 27, 2018
Fantasy, science fiction, and other speculative genres are often pejoratively labelled ‘escapist’, accused of being too distant from real-world issues and allowing audiences to dissociate from reality to indulge in daydreams. They let us forget about the problems plaguing our society so that we can enjoy an action-packed adventure or a whimsical jaunt through a magical land.
Madison Pollack | March 13, 2018
There is a latent threat behind each frame of Fever Ray’s video for “To The Moon And Back:” the setting is a large abandoned building whose sparsely placed neon tubes compensate for a lack of overhead lighting. We find our protagonist encased in glass, and she is a fright to behold; her face looks to have been recently carved into, with red encircling her mouth and eyes; her skin is an inhuman shade of white, and she jolts to life surrounded by smoke in a series of twitchy, cross-eyed frames. She is Fever Ray’s Monster in the tradition of Dr. Frankenstein and his unnatural creation. Both come to life alone, abandoned by their creators, hideous in their appearance. Both wander into the dark, lacking any preparation for the world they’ve been born into, not knowing what to expect.
Julian Menjivar | February 26, 2018
Once upon a time, there was an age of innocence, when beautiful fantasies of love and adoration blossomed. And love was everywhere–from displays of affection by our primary caregivers and friends to the billboard signs announcing the romantic comedy/drama of the year. Love was in the air, and all around us. As we grew older, the meaning of love got complicated. Then, in a beautiful chaotic motion, so too did our understanding of the concept.
Penny Wang | February 22, 2018 I was shocked while watching the penultimate episode of the third season of David Lynch’s Twin Peaks: the face of the only Asian-looking character—the […]
Dhanya Baird | February 21, 2018
Picture in your mind’s eye the world that lies below a humble city-bee, an explorer striving to acquire food for the hive. In many places, this view would be made up of houses, large lengths of concrete, and, in my Canadian homeland and many other nations, millions upon millions of shining green patches of death – the modern lawn. For lawns, manicured, overly-watered, frequently coated with pesticides and herbicides, frequently lacking in flowers, must be as deserts to the bee, and flower beds as tiny oases.
Sini Eikonsalo | February 12, 2018
TV shows and movies can be like your favorite books: something you want to get back to time and time again and let the familiar world draw you in once more. Unfortunately, time is not always kind to these favorites.
Lucy Hargrave | January 22, 2018
Has there ever been a more maligned genre than romance? Often romance novels are considered nothing more than a trashy beach read, something that should only be read while on holiday for light entertainment. They aren’t proper literature after all. Even avid romance readers will often refer to these books as their ‘guilty pleasures,’ thereby implying they shouldn’t be talked about, much less taken seriously. But what if we did take the romance genre seriously? If we strip away its reputation, what could be discovered about one of the most commercially successful genres in publishing history?
Valentina Aparicio | January 22, 2018
Nowadays, for the sake of good PR, supporting diversity is a must for any company. At least on paper. However, while identity politics has fully entered the mainstream political discourse, attention to material inequality continues to be overlooked. Last week, Anahit Behrooz’s article criticised the way in which Hollywood stars have come out to support victims of sexual harassment in problematic ways, such as Connie Britton’s $380 sweater that read ‘poverty is sexist’. The truth is that in fact most of the fights of identity politics have been now co-opted by the immensely wealthy. Media corporations and tech giants continue to portray the rich as messiahs of social change, turning the economic success of one (coloured, female, LGBT) individual into proof of equality for the many, through a discourse Naomi Klein has termed ‘trickle down identity politics’. And while criticism against ‘white feminism’ proliferates in the humanities, much work is yet to be done regarding neoliberal pro-diversity feminisms.