Ophelia and Pink in the Bathtub

Devika Asthana | 26 November, 2018
It was Edgar Allan Poe who said “the death of a beautiful woman is, unquestionably, the most poetical topic in the world”. Poe’s misogynist statement is an accurate summary of the way the figure of Ophelia has been treated for centuries. Appropriated and rendered in multiple art forms, from paintings to dramatic representations, Ophelia is one of Shakespeare’s most iconic female figures. Besides drama, novelists, artists, painters and even pop stars have found inspiration from the dead, floating woman.

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Altered Carbon: On living forever

Have you ever wondered if you could have eternal life? Netflix’s dystopian science fiction TV series, Altered Carbon, tells us that immortality is possible in a way if our consciousness can be stored digitally and be implanted into a new body. But if we pay heed to the epigraph in T.S. Eliot’s The Waste Land, we will find that immortality may not necessarily be a good thing.

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Recomposing Caesuras: The Silent Creativity of Sounds in A Quiet Place

Alexandra Huang | August 8, 2018
Ghastly verisimilar, aurally suffocating, and acoustically pioneering, John Krasinski’s sci-fi thriller A Quiet Place (2018) enacts the post-apocalyptic survival story revolving around the families of Lee and Evelyn (played by John Krasinski and Emily Blunt). Entangled in a fatal hide-and-seek human hunt in an unidentified wasteland set in America, the eerily predatory monsters attempt to trace the protagonists by utilizing auditory clues to target their prey across the ravaged planet. Witnessing the tragic deprivation of their youngest child by the reptilic monstrosities, the family is reduced to a miserable, quasi-mimical way of life against the backdrop of elegiac, death-like silence.

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On the Hollywood Trend of Woman-Centered Remakes

Whitney Hubbell | July 3, 2018
Ocean’s 8 has just hit theaters and so far has unsurprisingly received mixed reviews. The film definitely has appeal: it boasts an undeniably great cast – Cate Blanchett, Helena Bonham Carter, Sandra Bullock, Mindy Kaling, Anne Hathaway, even Rihanna – and an intriguing concept, being an all-woman heist film. However, the film’s title and the name of Sandra Bullock’s character (Debbie Ocean) reveals that it’s basically just a rehashing of the earlier Ocean’s films starring George Clooney as Danny Ocean. But Ocean’s 8 is just the latest in a growing trend of Hollywood remakes in which the formerly male cast is replaced with women.

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Handle with Care: Representing Chinese Factory Workers

Penny Wang | June 11, 2018
Stories about the miseries of Chinese factory workers have been regarded in the West as welcome gestures against the dehumanising globalised market economy to which China has submitted itself. These expository accounts have been applauded as signs of critical reflections against the silence imposed by the Chinese government—a government the Western media label as authoritarian and indifferent to the lower-income populations victimised by its profit-oriented policies. Much as I appreciate the necessity of such exposés, either through reports or slightly fictionalised accounts, I usually find these narratives deeply problematic. Taking an event I recently attended as an example—a screening of the short film Before Christmas directed by Chuyao He on 11 May at Edinburgh Printmakers (part of the Edinburgh Short Film Festival), I would like to examine exactly what is wrong with these representations.

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Their Unrelenting Eyes: I Feel Pretty and the Entrapment of Narcissism

Nadia Ahmed | June 4, 2018
Addressing the lives of women, particularly white, heterosexual, cisgender, American women, is the film I Feel Pretty, which came out last month. What struck me upon watching this film was that the main character’s sense of self compares so closely to the narcissistic woman described in Simone de Beauvoir’s work The Second Sex (1949).  This article is concerned with drawing parallels between I Feel Pretty and The Second Sex in order to question the transcendence of the protagonist, Renee (played by Amy Schumer), who, bored and unsatisfied with her life, inculcates herself into a state of self-obsession.

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Philip Roth’s The Plot Against America and the Recurring History

Sini Eikonsalo | May 31, 2018
Philip Roth, a canonical American writer, died recently at the age of 85, leaving behind a vast array of novels, the most popular probably being his Pulitzer-winning American Pastoral (1997). However, it is The Plot Against America (2004) that has been in the public interest for the past couple of years and now with the news of Roth’s death.

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Models of Capitalist Subversion: Hip Hop or Rock?

Tomas Vergara | May 30, 2018

On the 5th of May of 2018 Gibson, one of the most emblematic guitar manufacturers, announced bankruptcy. An interesting aspect of this event, beyond its economic repercussions on the music industry, is its cultural significance. It marks the decline of rock and guitar-based music, once the dominant musical genre. Gibson’s bankruptcy opens several symptomatic questions concerning the role of music in contemporary capitalist culture: What does this shift in musical taste reflect about the dynamics of capitalist culture? Does it signal the emergence of new ideological apparatuses no longer compatible with rock music? 

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A “Bittle” Love

Christa M. Burgin | May 1, 2018
For those of you who haven’t seen Love, Simon, there are numerous reasons why you should, most important of which is this: Simon, as we’re told early on, is just like you. He has a normal life with the exception of “one huge-ass secret.”1 In fact, this secret is so large that Simon doesn’t reveal he’s gay until he begins emailing “Blue,” a fellow student at his high school. Complications arise when another student reads Simon’s messages on one of the school computers. As a result, Simon is blackmailed into helping his classmate win over a girl in order to protect his identity.

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The Mary Beard Effect: A Brief Review of ‘Women & Power’

Mary A. Pura | April 12, 2018
If you’ve been wandering through Blackwell’s and Waterstone’s lately, you’ve probably noticed the beautifully arranged and aesthetically pleasing displays featuring popular female authors. Partly inspired by a surge in public attention to the #MeToo Movement, there has been an outpouring of new and old literature addressing women’s equality. Amidst the heaping piles, you’ve likely caught sight of the shining silver and gold design adorning Mary Beard’s new publication, Women & Power: A Manifesto. Over the past twenty years, Beard has become a kind of celebrity academic. You may recall an incident back in 2012 consisting of public outrage towards the late AA Gill regarding his statement that Beard was “too ugly for television.” Her response placed her among the feminist gods:

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