Elise Walter | October 12, 2018
I left Washington DC with relief and regret.
Relief to escape the relentless, oppressive landscape of a new political reality, and regret that I was running away from a fight. The rights and dignity of so many people were–are–being stripped away, day by day. I was and remain furious. How could I justify abandoning my work to study literature, when everything else was burning? What good does reading Jane Austen do?
Elise Walter | October 12, 2018
Whitney Hubbell | July 3, 2018
Ocean’s 8 has just hit theaters and so far has unsurprisingly received mixed reviews. The film definitely has appeal: it boasts an undeniably great cast – Cate Blanchett, Helena Bonham Carter, Sandra Bullock, Mindy Kaling, Anne Hathaway, even Rihanna – and an intriguing concept, being an all-woman heist film. However, the film’s title and the name of Sandra Bullock’s character (Debbie Ocean) reveals that it’s basically just a rehashing of the earlier Ocean’s films starring George Clooney as Danny Ocean. But Ocean’s 8 is just the latest in a growing trend of Hollywood remakes in which the formerly male cast is replaced with women.
Nadia Ahmed | June 4, 2018
Addressing the lives of women, particularly white, heterosexual, cisgender, American women, is the film I Feel Pretty, which came out last month. What struck me upon watching this film was that the main character’s sense of self compares so closely to the narcissistic woman described in Simone de Beauvoir’s work The Second Sex (1949). This article is concerned with drawing parallels between I Feel Pretty and The Second Sex in order to question the transcendence of the protagonist, Renee (played by Amy Schumer), who, bored and unsatisfied with her life, inculcates herself into a state of self-obsession.
Jule Lenzen | May 11, 2018
Indigenous feminism, an area of feminism that has received little attention within Indigenous communities and worldwide, can give fascinating new ideas on how to approach feminism.
Mary A. Pura | April 12, 2018
If you’ve been wandering through Blackwell’s and Waterstone’s lately, you’ve probably noticed the beautifully arranged and aesthetically pleasing displays featuring popular female authors. Partly inspired by a surge in public attention to the #MeToo Movement, there has been an outpouring of new and old literature addressing women’s equality. Amidst the heaping piles, you’ve likely caught sight of the shining silver and gold design adorning Mary Beard’s new publication, Women & Power: A Manifesto. Over the past twenty years, Beard has become a kind of celebrity academic. You may recall an incident back in 2012 consisting of public outrage towards the late AA Gill regarding his statement that Beard was “too ugly for television.” Her response placed her among the feminist gods:
Sini Eikonsalo | February 12, 2018
TV shows and movies can be like your favorite books: something you want to get back to time and time again and let the familiar world draw you in once more. Unfortunately, time is not always kind to these favorites.
Lucy Hargrave | January 22, 2018
Has there ever been a more maligned genre than romance? Often romance novels are considered nothing more than a trashy beach read, something that should only be read while on holiday for light entertainment. They aren’t proper literature after all. Even avid romance readers will often refer to these books as their ‘guilty pleasures,’ thereby implying they shouldn’t be talked about, much less taken seriously. But what if we did take the romance genre seriously? If we strip away its reputation, what could be discovered about one of the most commercially successful genres in publishing history?
Valentina Aparicio | January 22, 2018
Nowadays, for the sake of good PR, supporting diversity is a must for any company. At least on paper. However, while identity politics has fully entered the mainstream political discourse, attention to material inequality continues to be overlooked. Last week, Anahit Behrooz’s article criticised the way in which Hollywood stars have come out to support victims of sexual harassment in problematic ways, such as Connie Britton’s $380 sweater that read ‘poverty is sexist’. The truth is that in fact most of the fights of identity politics have been now co-opted by the immensely wealthy. Media corporations and tech giants continue to portray the rich as messiahs of social change, turning the economic success of one (coloured, female, LGBT) individual into proof of equality for the many, through a discourse Naomi Klein has termed ‘trickle down identity politics’. And while criticism against ‘white feminism’ proliferates in the humanities, much work is yet to be done regarding neoliberal pro-diversity feminisms.
Christa M. Burgin | January 15, 2018
Empowerment can be conveyed in several forms. For many individuals, it thrusts and swings in the dance of music. For others, it cuts across paper in the rhythm of words. And for some, it ripples, and builds, and shakes through laughter. That is the calling of our comedians, for they have the ability to influence a vast number of people through media outlets, including Netflix specials, late-night television, and YouTube.
Anahit Behrouz | January 10, 2018
In an article for The Pool published the week before the 2018 Golden Globes ceremony, film critic Helen O’Hara questioned what a Hollywood awards ceremony would look like in a post-Weinstein world. O’Hara argued that although women only get 27% of the lines in the average Oscar-winning film, this year’s Golden Globes nominee list showed a progression towards a more equal awards ceremony, with numerous women and female-focused films up for consideration. As heartening as this may be, O’Hara did not delve into the question of how the mechanics of an awards ceremony in a post-Weinstein world would work, and what the optics would look like in an industry spending millions of dollars in self-congratulation during the same year that its ugly underbelly has been exposed.