Stories Worth Telling: Black Panther and the Rise of Diversity in Popular Culture

Patricia Ng | March 28, 2018
No matter what you say about the Marvel cinematic franchise, they are making some bold moves. Rather than simply making films about popular superheroes, they have now moved on to lesser-known characters, especially those belonging to minority groups. The newly released Black Panther is certainly one of their best examples. Featuring T’Challa (Black Panther), the king of the fictional African nation Wakanda, as the lead, the film can be seen as yet another attempt to diversify the entertainment industry. In recent years, Hollywood has been producing more and more movies with female leads and a culturally diverse cast, like the upcoming female spin-off of Ocean’s Eleven and the multi-ethnic cast in the new Star Wars reboot films. There is nothing wrong with creating films that don’t have white male leads, and we should welcome narratives that promote diversity. Yet, with the rise of such a trend in popular culture, one has to question what it means for a diverse narrative to be good.

Read Article →

Trading One War Zone for Another: Daredevil’s Punisher and Violence in the City

Patricia Ng | November 22, 2017
The Punisher couldn’t have returned to Netflix at a better time. With a series of incidents involving gun violence in the past few months and the debate over gun control roaming the air, the famous Marvel anti-hero becomes an even more controversial figure. Yet, it is precisely because of the situation in America now that Frank Castle’s reappearance needs special attention.

Read Article →

The (Ignored) Feminist Heroes of Wonder Woman

Scheherazade Khan | 13 June 2017

Warning : Spoilers ahead for Wonder Woman (2017)

Though box office ratings and some critiques seem to suggest that Wonder Woman is finally giving a female role the appropriate attention, I join with other critics who argue that the movie itself failed to deliver on the hope that it would be a feminist dream. For me, Wonder Woman suggests that the only way for female superheroes to be successful is to mimic traditionally male roles. That is, having adventures, engaging in physical violence while proclaiming superior – if not slightly naïve – moral standards, all while wearing absurdly tight clothing that seems like it would be a hindrance when fighting for one’s life. In comparison, the working women in the movie (of which there are a grand total of two) are used either as comic relief or for nefarious purposes.

Read Article →

Hollywood: Shell without Ghost

Erden Göktepe | 18th April 2017.

I must be honest, I had high hopes for the 2017 remake of Ghost in the Shell directed by Rupert Sanders and starring Scarlett Johansson as Major, the female protagonist, perhaps even for seeing something as intriguing as the original manga story and anime. Sadly, at the end of it, I simply felt indifferent and bored. Apparently, Hollywood has taken another well-written story with a phenomenal potential for audience impact and turned it into a breezy action movie….

Read Article →

Reading Between the Panels: Comics and Critical Theory

November 9, 2015 | Tom Sewel.

How do we read comics? How are the ways in which we read comics changing? For most of their history, the ways in which we have read and talked about comics has been left to comics fandoms to decide. While this has produced a passionate proliferation of reading approaches, it has meant that critical rigour has only very rarely been brought to bear on this uniquely multi-modal narrative form. With the academy’s relatively recent acceptance of comics as literature, this public conversation is now seeing a seismic shift.

Read Article →