Katherine Carlman | 14 January, 2019
“I’m very good at math,” the boy said as I passed. He was five or six years old and made this declaration not to me, but to the adult who belonged with him. With his mop of long curls and declaration of brilliance, he had more self-confidence than I’ve ever had. How could a child have more self-assurance than a fifty-year-old woman? He must be an only child, I reasoned – maybe an oldest child, but certainly not the youngest.
Katherine Carlman | 14 January, 2019
Chris Jardine | 10 December, 2018
It has been two and a half years since the United Kingdom’s referendum on EU membership. While this decision has dominated the political landscape ever since, less attention has been paid to the linguistic innovations, reincarnations and clichés this event has had on and within the English language. Given that the wider Brexit debate has been hijacked by a failed Tory leadership candidate, whose choice in language has been met with disdain by even his allies, and a bizarre anachronism from North East Somerset, a linguistic decoding of some of the key terminology is long overdue.
Devika | 26 November, 2018
It was Edgar Allan Poe who said “the death of a beautiful woman is, unquestionably, the most poetical topic in the world”. Poe’s misogynist statement is an accurate summary of the way the figure of Ophelia has been treated for centuries. Appropriated and rendered in multiple art forms, from paintings to dramatic representations, Ophelia is one of Shakespeare’s most iconic female figures. Besides drama, novelists, artists, painters and even pop stars have found inspiration from the dead, floating woman.
Natalie Wall | 12 November, 2018
We know that fashion moves in seasons, however we are less inclined to think about how trends may be products of our political, or financial climate. The recent trend for transparent plastic garments could be a reflection of our desire for transparency in our muddied political sphere.
Have you ever wondered if you could have eternal life? Netflix’s dystopian science fiction TV series, Altered Carbon, tells us that immortality is possible in a way if our consciousness can be stored digitally and be implanted into a new body. But if we pay heed to the epigraph in T.S. Eliot’s The Waste Land, we will find that immortality may not necessarily be a good thing.
Elise Walter | October 12, 2018
I left Washington DC with relief and regret.
Relief to escape the relentless, oppressive landscape of a new political reality, and regret that I was running away from a fight. The rights and dignity of so many people were–are–being stripped away, day by day. I was and remain furious. How could I justify abandoning my work to study literature, when everything else was burning? What good does reading Jane Austen do?
Maja Petek | October 8, 2018
What comes to mind when hearing about Oscar Wilde’s The Picture of Dorian Gray (1891)? It is probably not the flowery language or witty social commentary, but the homoeroticism present throughout the novel, especially in the portrayal of the friendship between male characters. The implicit homoeroticism of the novel was greatly augmented in the latest reincarnation of the story, the movie Dorian Gray (2009). Directed by Oliver Parker and starring Colin Firth as Lord Henry and Ben Barnes as Dorian, the movie failed to attract a lasting audience, despite adapting Wilde’s subtlety to the modern audience’s demands for sensation. Despite the unfiltered portrayal of sexual exploits, the emotional connection between the characters, especially between the painter Basil Hallward (Ben Chaplin) and Dorian Gray, which builds the backbone of the story, is never addressed.
By Ailish Woollett | October 8, 2018
Every two years or so, I have the urge to throw away all of my possessions. The catalyst for this cry for ritual shedding is usually one of the following:
Alexandra Huang | August 8, 2018
Ghastly verisimilar, aurally suffocating, and acoustically pioneering, John Krasinski’s sci-fi thriller A Quiet Place (2018) enacts the post-apocalyptic survival story revolving around the families of Lee and Evelyn (played by John Krasinski and Emily Blunt). Entangled in a fatal hide-and-seek human hunt in an unidentified wasteland set in America, the eerily predatory monsters attempt to trace the protagonists by utilizing auditory clues to target their prey across the ravaged planet. Witnessing the tragic deprivation of their youngest child by the reptilic monstrosities, the family is reduced to a miserable, quasi-mimical way of life against the backdrop of elegiac, death-like silence.
Julian Menjivar | July 23, 2018
I was inspired to write this piece from a conversation I had with my parents. I’ve always trusted their wisdom, and most of their experiences and stories have served me well in my life. We share similarities, yet we also have our own differences, some more evident than others. The particular conversation that came to mind was about the way I present myself. We argued about how what one wears, how one acts, and how the ways in which one is perceived matter a great deal in any culture and almost all of society. I found some points unjustifiable and illogical, yet I could also understand the perspective of my parents.