By Anne Liebig| 02 October 2019
SPOILERS AHEAD. On 4th July 2019, the third season of Stranger Things hit Netflix and quickly pulled off its favourite stunt – defying the sequel trap. Once again, the show satisfied viewer demands and climbed to critics’ top scores for the third time running. The long-awaited return to monster-ridden Hawkins not only features delightful performances by its stellar cast, but also widens the playing field for the series’ baddies: other than the familiar killer goo that is the Demogorgon, who are Hawkins’ child heroes up against in 1980s America, and on the most patriotic of holidays no less? You’ve guessed it: the Russians.
By Anne Liebig| 02 October 2019
By Alexandra Huang| 18 September 2019
The American avant-garde jazz band Sun Ra Arkestra is whimsically dubbed after the ancient Egyptian mystagogues in worship of the Sun. Led by the eponymous pianist of the band since the 1930s, the musicians have created some outlandish soundscapes described as “dark, kinetic sounds bursting with spiky electric piano or fuzzy keyboard lines and collective horn freak-outs that would likely send most punk rockers screaming from the room.” Eerie and bizarre as their music sounds, these improvisers blatantly claim themselves to be “tone-scientist” and “architects of the plane of discipline,” namely, scientists of sound who can achieve mathematic precision.
By Orlaith Darling| 03 September 2019
I have dropped my phone down the toilet several times. Why? The pockets in women’s clothing. I own jeans with pockets into which I can barely fit my hand. I own jeans which have the cruel illusion of pockets stitched into the fabric. It is a fairly well-known fact that, as one writer puts it, ‘mid-range fashion is a male dominated business, driven not by form and function, but by design and how fabric best drapes the body.’
By Luka Vukos | July 16, 2019
A presentation by Luka Vukos – ‘Making a micro-budget film about artificial intelligence’. Presented as part of Blethers, an evening of academic storytelling from the University of Edinburgh, February 2019. Luka describes the making of the short film, ‘Lose Like a Human’. Lose Like a Human won Best Original Score and Audience Choice Award at Hyperdrive Sci-Fi & Fantasy Film Festival 2018.
By Ruochen Zhao | 19 June 2019
In this audio-visual essay, Ruochen analyses the music and sound used in Baby Driver (2017) – in particular, what theorist Amanda McQueen has identified as the concept of ‘Sonic Intensified Continuity’ used by (director) Edgar Wright in films such as Saun of the Dead, Hot Fuzz and Scott Pilgrim vs the world.
Dexter Yim | 03 June 2019
Human beings are nostalgic animals. We cannot really help looking at photos we took from time to time in order to revisit our past or see how much we have changed over the years. I bet everyone understands this as the ten-year challenge craze sweeps the world. Without photography, we have no choice but to rely on our hazy memories, which are not reliable and verifiable. The art and usefulness of photography unarguably and gradually became indispensable in our daily lives as photography can help us imprison reality and revisit the past at any time. This short article attempts to look into the usefulness and limitations of photography.
Emanuela Militello | 28 May 2019
I am going to focus on the portrayal of women as supernatural characters in two ballads by notable German poets: Heinrich Heine’s ‘Die Lorelei’ and J.W von Goethe’s ‘Der Fischer’, in order to give an insight into how their characterisation of women is influenced by Greek mythology.
In both ballads, women use their voice to entice the man – in a manner reminiscent of the power of sirens in the Odyssey, where sirens are infamous for luring sailors with their voices and for their uncanny appearance. The unfortunate ones who listen to their seductive singing, shipwreck against the rocks of the sirens’ island and meet a horrible death.
Funny, surprising and igniting our wanderlust – Valentina Aparicio presents ‘A collection of random facts about Chile’. Presented at LLC Blethers, an evening of academic storytelling with the University of Edinburgh, February 2019.
Eva Dieteren | 29 April 2019
As a fan of period dramas, I was ready to sit back and enjoy what one can typically expect from a big-budget period drama: beautiful cinematography and gorgeous costumes accompanied by dramatic music. And whilst the film certainly ticks all the boxes, its depiction of female sexuality provides a new – and literal – perspective on the term period drama.
Tia Byer | March 25, 2019
A presentation by Tia Byer, “Feminism Gone Mad? Keira Knightley, mothering and the case against the Disney princess”.
Tia won the award for ‘Most Controversial’ at LLC Blethers, an evening of academic storytelling with the University of Edinburgh, February 2019.